JONATHAN KLINE
917-297-1869
jfkline1@gmail.com
EDUCATION
MFA Rochester Institute of Technology, Visual Studies Workshop.
BFA San Francisco Art Institute.
EXHIBITIONS
2015 One of a Kind, Unique Photographic Objects from the Center of Creative Photography, Phoenix Art Museum, Arizona.
Art on Paper, JHB Gallery, Booth 205. Pier 36, NYC.
2014 Three Views, Tenri Cultural Institute of New York.
CHEM 101, The Science of Photography, William Benton Museum of Art, UCONN Storrs, Connecticut.
The Poetics of Light, Pinhole Photography, Palace of Governors, Santa Fe, New Mexico, through 2016.
2011 Threshold, Fotosphere Gallery, Tokyo, Japan.
Ecliptics, Colburn Gallery, University of Vermont, Burlington.
2006 Three Photographers, Van Brunt Gallery. Beacon, New York.
2006 Seeing the Light, Carl Solway Gallery, Cincinnati. Group show with Jack Pierson, Lorna Simpson, Alfredo Jaar and others.
2005 Artists in Residency Exhibit, Santa Fe Art Institute, New Mexico.
My Life Began at Conception, Curated by Annika Sundvik, Snake Show Space, New York.
In the West, Anderson Ranch Arts Center, Colorado. Group show with Mark Klett, Kyle Bajakian, Jim Baker, and others.
2004 Ecliptics, Silpe Gallery, Hartford Art School, Connecticut.
2003 Prima Facie, Nina Freudenheim Gallery. Group show with Sol LeWit, Ellen Carey, Erika Blumenfeld, and others.
2001 This Is Not A Photograph, Pamela Auchincloss Gallery, New York.
Nationally traveling exhibit with Jim Welling, Adam Fuss, and others.
2000 Osaka 2000, NYU Department of Photography & Imaging Faculty Show, Japan.
Invisible Fields, Materia Prima Dance Group, Judson Church, New York.
1999 Synergy/Artists Invite Artists, Usdan Gallery, Bennington College, Vermont.
Collaboration with photographer Bing Wright.
Split Shift, MassMOCA, North Adams, Massachusetts.
Inaugural exhibit by Williams and Bennington College’s Visual Arts Faculty.
1996 Hip for Wiz N’Ez, Annika Sundvik Gallery, New York.
Group Show with Tiago Estrada & Warren Neidich.
1995 Hetrick-Martin Institute Benefit Exhibit, Paul Morris Gallery, New York.
1994 CEPA Gallery Benefit Exhibit, Buffalo, New York.
1993 Ellis Island, La Porta Dell’America, Instituto di Cultura, Commune di Ferrara, Italy. Group show of selected American photographers working on Ellis Island.
1991 Ellis Island, Echoes from a Nation’s Past, Augustus Sherman Gallery, Ellis Island. Invitational project involving several photographers working on Ellis Island over a two year period.
Recent Photographs, Visual Arts Gallery, University of Dallas, Texas.
1990 Exits and Entrances, Bucknell University. Works by Larry Clark, Walker Evans, Josef Sudek and others.
1989 Photography as Document, Downey Museum of Art, California.
Robert Flick, curator.
1988 American Color, New Mexico State University, Las Cruces.
Jim Featherstone, curator.
1977 Large Scale Photographs, 80 Langton Street Gallery, San Francisco.
1976 Photography & Language, Camerawork Gallery, San Francisco.
Works by John Baldessari, Robert Cumming, Fred Lonidier, and others.
AWARDS
2008 Artist Residency, Fundacion Valparaiso, Spain.
2006 American Scandinavian Foundation. Fellowship to photograph in the Norwegian archipelago, Svalbard.
2005 Artist Residency, UCROSS Foundation, Wyoming.
2005 Artist Residency, Santa Fe Art Institute, New Mexico.
2004 Artist Residency, Anderson Ranch Arts Center, Colorado.
2003 Artist Residency, Dorland Mountain Arts Colony, California.
1997 Artist Residency, Pouch Cove, Newfoundland, Canada.
1996 Guest Artist, Hamidrasha Institute of Art, Israel.
1995 Aaron Siskind Photography Fellowship.
1993 Earthwatch Artist Award, Hungary.
PHOTOGRAPHIC CONSERVATION RESEARCH
2008 Completed six sets of 19th Century paper negative variants for photo conservation programs around North America. Funded in part by the Andrew Mellon Foundation.
2005 19th Century Negatives on Paper & Glass, George Eastman House, Rochester, New York. Andrew Mellon funded seminar teaching French and English variants of the paper negative process to a group of international photographic conservators.
2002 19th Century Paper Negatives & Prints, Metropolitan Museum of Art, New York.
Andrew Mellon funded seminar teaching WHF Talbot’s Calotype process to a group of international photographic conservators.
PUBLICATIONS
2014 Poetics of Light/Pinhole Photography, Selections from the Pinhole Resource Collection, Eric Renner. Museum of New Mexico Press.
2004 Pinhole Photography/Rediscovering a Historic Technique, Eric Renner. Third Edition.
2002 Photography’s Antiquarian Avant-Garde, Lyle Rexer.
2001 This Is Not A Photograph, Essay by AD Coleman, Pamela Auchincloss Gallery.
1993 Exploring Color Photography, Robert Hirsch.
1990 Exits & Entrances, Center Gallery Publication, Bucknell University.
1988 Ellis Island, Echoes From A Nation’s Past, Aperture Publications.
1976 Photography & Language, Lew Thomas, Editor. Camerawork Press.
COLLECTIONS
Center for Creative Photography, Tucson, Arizona
Ellis Island National Park Service, US Department of the Interior.
Bibliotheque Nationale, Paris.
Art Museum, Princeton University.
Numerous Private Collections.
917-297-1869
jfkline1@gmail.com
EDUCATION
MFA Rochester Institute of Technology, Visual Studies Workshop.
BFA San Francisco Art Institute.
EXHIBITIONS
2015 One of a Kind, Unique Photographic Objects from the Center of Creative Photography, Phoenix Art Museum, Arizona.
Art on Paper, JHB Gallery, Booth 205. Pier 36, NYC.
2014 Three Views, Tenri Cultural Institute of New York.
CHEM 101, The Science of Photography, William Benton Museum of Art, UCONN Storrs, Connecticut.
The Poetics of Light, Pinhole Photography, Palace of Governors, Santa Fe, New Mexico, through 2016.
2011 Threshold, Fotosphere Gallery, Tokyo, Japan.
Ecliptics, Colburn Gallery, University of Vermont, Burlington.
2006 Three Photographers, Van Brunt Gallery. Beacon, New York.
2006 Seeing the Light, Carl Solway Gallery, Cincinnati. Group show with Jack Pierson, Lorna Simpson, Alfredo Jaar and others.
2005 Artists in Residency Exhibit, Santa Fe Art Institute, New Mexico.
My Life Began at Conception, Curated by Annika Sundvik, Snake Show Space, New York.
In the West, Anderson Ranch Arts Center, Colorado. Group show with Mark Klett, Kyle Bajakian, Jim Baker, and others.
2004 Ecliptics, Silpe Gallery, Hartford Art School, Connecticut.
2003 Prima Facie, Nina Freudenheim Gallery. Group show with Sol LeWit, Ellen Carey, Erika Blumenfeld, and others.
2001 This Is Not A Photograph, Pamela Auchincloss Gallery, New York.
Nationally traveling exhibit with Jim Welling, Adam Fuss, and others.
2000 Osaka 2000, NYU Department of Photography & Imaging Faculty Show, Japan.
Invisible Fields, Materia Prima Dance Group, Judson Church, New York.
1999 Synergy/Artists Invite Artists, Usdan Gallery, Bennington College, Vermont.
Collaboration with photographer Bing Wright.
Split Shift, MassMOCA, North Adams, Massachusetts.
Inaugural exhibit by Williams and Bennington College’s Visual Arts Faculty.
1996 Hip for Wiz N’Ez, Annika Sundvik Gallery, New York.
Group Show with Tiago Estrada & Warren Neidich.
1995 Hetrick-Martin Institute Benefit Exhibit, Paul Morris Gallery, New York.
1994 CEPA Gallery Benefit Exhibit, Buffalo, New York.
1993 Ellis Island, La Porta Dell’America, Instituto di Cultura, Commune di Ferrara, Italy. Group show of selected American photographers working on Ellis Island.
1991 Ellis Island, Echoes from a Nation’s Past, Augustus Sherman Gallery, Ellis Island. Invitational project involving several photographers working on Ellis Island over a two year period.
Recent Photographs, Visual Arts Gallery, University of Dallas, Texas.
1990 Exits and Entrances, Bucknell University. Works by Larry Clark, Walker Evans, Josef Sudek and others.
1989 Photography as Document, Downey Museum of Art, California.
Robert Flick, curator.
1988 American Color, New Mexico State University, Las Cruces.
Jim Featherstone, curator.
1977 Large Scale Photographs, 80 Langton Street Gallery, San Francisco.
1976 Photography & Language, Camerawork Gallery, San Francisco.
Works by John Baldessari, Robert Cumming, Fred Lonidier, and others.
AWARDS
2008 Artist Residency, Fundacion Valparaiso, Spain.
2006 American Scandinavian Foundation. Fellowship to photograph in the Norwegian archipelago, Svalbard.
2005 Artist Residency, UCROSS Foundation, Wyoming.
2005 Artist Residency, Santa Fe Art Institute, New Mexico.
2004 Artist Residency, Anderson Ranch Arts Center, Colorado.
2003 Artist Residency, Dorland Mountain Arts Colony, California.
1997 Artist Residency, Pouch Cove, Newfoundland, Canada.
1996 Guest Artist, Hamidrasha Institute of Art, Israel.
1995 Aaron Siskind Photography Fellowship.
1993 Earthwatch Artist Award, Hungary.
PHOTOGRAPHIC CONSERVATION RESEARCH
2008 Completed six sets of 19th Century paper negative variants for photo conservation programs around North America. Funded in part by the Andrew Mellon Foundation.
2005 19th Century Negatives on Paper & Glass, George Eastman House, Rochester, New York. Andrew Mellon funded seminar teaching French and English variants of the paper negative process to a group of international photographic conservators.
2002 19th Century Paper Negatives & Prints, Metropolitan Museum of Art, New York.
Andrew Mellon funded seminar teaching WHF Talbot’s Calotype process to a group of international photographic conservators.
PUBLICATIONS
2014 Poetics of Light/Pinhole Photography, Selections from the Pinhole Resource Collection, Eric Renner. Museum of New Mexico Press.
2004 Pinhole Photography/Rediscovering a Historic Technique, Eric Renner. Third Edition.
2002 Photography’s Antiquarian Avant-Garde, Lyle Rexer.
2001 This Is Not A Photograph, Essay by AD Coleman, Pamela Auchincloss Gallery.
1993 Exploring Color Photography, Robert Hirsch.
1990 Exits & Entrances, Center Gallery Publication, Bucknell University.
1988 Ellis Island, Echoes From A Nation’s Past, Aperture Publications.
1976 Photography & Language, Lew Thomas, Editor. Camerawork Press.
COLLECTIONS
Center for Creative Photography, Tucson, Arizona
Ellis Island National Park Service, US Department of the Interior.
Bibliotheque Nationale, Paris.
Art Museum, Princeton University.
Numerous Private Collections.
